Top 10 movie posters of 2015

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Some of 2015 movie posters have been amazing, especially our superhero movie posters!

Frankly 2014 had better posters than 2015.

10. The Martian



9. Dope


8.  The End of the Tour



7. Avengers: Age of Ultron



6. Macbeth


5. Raiders



4. Spectre



3. Kingsman: The Secret Service



2. Kumiko: The Treasure Hunter



1.  Ant-Man



Top 10 movie posters of 2014

Posters are witnessing a stiff competition as it has become an uphill task to make something different and likeable. The use of graphic posters has increased with almost every film coming up with one for itself. Interstellar and Godzilla have had notable posters in 2014.

1. Interstellar


2. Godzilla


3. The Amazing Spiderman 2


4. The Babadook


5. The Quiet Ones


6. Gone Girl


7. Inherent Vice


8. Big Hero 6


9. The Purge: Anarchy


10. Dracula Untold


Top 10 movies of 2014


2014 was a year anticipated for the inception of film franchises, sci-fis and most of them turned out to be superb. Interstellar, Gone Girl and Guardians of the Galaxy delivered more than anyone expected.

1. Interstellar


Interstellar is Christopher Nolan’s best as a writer and easily the best original screenplay of 2014. This space odyssey about the survival of the human race has its unexpected twists and theories making it the most accomplished film of the year with Mathew McConaughey and Jessica Chastain delivering supreme performances.

2. X-Men: Days of Future Past


They are all back together and the fun of all X-Men movies is summed up into this extravaganza. X-Men: Days of Future Past is a meticulous display of taut writing and scintillating performances. This feature film exceeds your massive expectations by reasons only known to its makers.

3. The Hobbit: Battle of the Five Armies


The final chapter of the Hobbit series is the best fantasy movie of the year. Bilbo Baggin’s journey back again to the Shire from Erebor is not as easy as it seemed. Armies of Dwarves, Elves, Men and Orcs clash for the wealth of the mountain.

4. Guardians of the Galaxy


Marvel’s Guardians of the Galaxy is the biggest surprise of 2014. No one expected it to be a huge success. Despite its mediocre star cast and trailers the film turned out to be an absolute entertainer.

5. Gone Girl


David Fincher’s Gone Girl was the most difficult film to be successfully made. The mystery of a missing wife on her anniversary turns out to be a nightmare. Rosamund Pyke and Ben Affleck give Oscar winning performances.

6.Captain America: The Winter Soldier


This is the first Captain America film after his brief introduction as The First Avenger and shared screen space in The Avengers. Cap 2 is a heavy duty action film in which Steve Rogers faces his old pal with the help of Agent Romanoff.

7. Transformers: Age of Extinction


This is kind of a semi-reboot to the Transformers franchise. Michael Bay gets Mark Walberg to play the lead in Age of Extinction where Autobots are hunted down until the rise of Optimus Prime.

8. The Hunger Games: Mocking Jay – Part 1


Mocking Jay – Part 1 is the set up for the ultimate finale next year. A lot does not happen in it but it is enough to captivate you for its running time. Jennifer Lawrence grows as an actor with every film.

9. The Lego Movie


Innovation is exemplified in Phil Lordand Christopher Miller’s animation laugh riot. A simpleton guy is handed the reins of the Lego universe to save it.

10. The Maze Runner


The Maze Runner emerges as a stunning surprise unlike the herd of YA tryouts since Twilight and The Hunger Games. It’s a story about a bunch of boys trapped in a maze filled with death.

Review: The Maze Runner is a dazzling addition to the coveted young adult genre


Everyone postulated that the fate of the adaptation of James Dashner’s young adult hit book The Maze Runner will not be a merry one. But the film emerges as a stunning surprise unlike the herd of YA tryouts since Twilight and The Hunger Games. The Maze Runner springs an anomaly because of it’s focus on the don’ts rather than the do’s of YA adaptations.

The Maze Runner starts downright with a memory-less Dylan O’Brien heading up in a cage into a grassy arena called the Glade led by Alby (Aml Ameen). The Glade is surrounded on all sides by 100 feet tall walls concealing the former in the center of a giant maze. The walls of the Glade are open throughout the day for the boyland to explore the ever-changing maze. During the night the walls remain closed but the maze is raided by bio-mechanical creatures called Grievers who sting the Gladers to death. The Glade is a structured system with rules for its survival consisting of Runners to navigate the maze, Builders, Medics and Chefs. Thomas Brodie-Sangster (of Game of Thrones fame) plays Newt, Alby’s substitute, and Blake Cooper plays the youngest Glader and brings out the comic moments in the film. Will Poulter (We’re the Millers) plays dominant bully Gally. Thomas (Dylan O’Brien)  remembers only his name in a day just like every other boy. Things go awry when Thomas goes rogue breaking every code of the Glade and manages to survive a night inside the maze. Suddenly a sex ratio springs with a advent of a girl Teresa (Kaya Scodelario) who is the last person to be sent to the Glade. Thomas’ antics lead to guys getting stung in the day and the doors remaining ajar in the night for the invasion of Grievers, leaving them with no choice but to escape through the maze.

First-time director Wes Ball, previously just a visual effects expert, was handed reins of this films based on an 8-minute CGI fim. Ball pulls off a more than commendable job with a $34 million budget. He keeps character development at bay and keeps the plot ticking, albeit he does take his sweet time in showing us the maze. The visual effects are laudable. The screenplay is watertight knowing its direction to climax which has its own climax. Ball also extracts supreme performances from every young actor. The Maze Runner is a must watch for the young adult genre and is easily comparable to The Hunger Games.


Review: A Walk Among the Tombstones is the resurgence of its kind not to be missed!


Crime is the most realistic a genre can get. If you like the ongoing obsession called True Detective, just dump this review and run to a theater to watch the Scott Frank’s deceitful craft A Walk Among the Tombstones, based upon Lawrence Block’s 1992 novel of the same title. Liam Neeson plays illegal private detective Matthew Scudder assigned a reluctant case of a barbarous gay couple who kidnap a drug trafficker Kenny Kristo’s beautiful wife. Kenny pays the ransom only to be served with wrapped severed body parts of his wife, deeming the killers nothing less than psychos who turn out to serial.

Tombstones is unlike Taken and the stint of films Neeson had after that. He is a solo protagonist but not the predictable character that will end the film with all being well. The best part is that the serial murders have nothing to do with Scudder’s personal life. He is never the target. He won’t directly care about his unavoidable teen sidekick TJ (Brian ‘Astro’ Bradley), but he is resourceful when it comes to work sans his gun. The film gives a rush of Taken in a telephone conversation involving Scudder dominating the villain, but that’s all. Scudder is a serious persona with a wry humor and his chemistry with TJ is amusing.

Writer-director Scott Frank is a reviver for this desperately needed cinema. He derives influences from Martin Scorsese’s Goodfellas and Steven Splielberg’s Munich for this one. Tombstones hardly wavers from its prime plot. There is no scene singly specifying any personal aspect of any character, not even that of the serial killers. He has kept the film gory in a passive manner instead of visual ranting. Also you never what you might be shown next. The film has brilliant performances from other lesser known actors. The depiction of Brooklyn in 1999 is artistic. The film comes off more as a surprise from Neeson’s side. Let’s just hope this is a start to a film series!


Trailer Review: Shah Rukh Khan’s Happy New Year is royal and dramatic

The most awaited trailer of Bollywood is out. Every Shah Rukh Khan fan awaits his annual phenomenon. No sooner did Chennai Express become a blockbuster than we started anticipating his next. Farah Khan created her own cinema with SRK in Main Hoon Naa(2004) and took it to its epitome with Om Shanti Om(2007). Why do Farah and King Khan find themselves on the same page? Drama! Drama! Drama! Farah makes it so much dramatic. That’s the only thing literally separating her from Rohit Shetty. Otherwise both go high on action, songs and radiance.

The film looks totally ostentatious. The makers have been smart to use the New Year celebrations’ visuals of Dubai. Had they done it by themselves it would have blown the budgets of Bollywood. The story seems unmistakably predictable, which people take out the most on SRK. Six losers are participants in a World Dance Competition only to rob diamonds (no guesses. We are stealing diamonds since decades).Write about Shah Rukh and you really forget the supporting cast better known as fillers in his movies. Deepika Padukone is pretty as a Marathi dancer. I seriously don’t know what to write about Abhishek Bachchan. But I’m happy he is just doing (or getting) second fiddle roles. Boman Irani will have his moments. I wonder what will be Vivaan’s screen time. There is this non-orthodox antagonist played by Jackie Shroff.

What Farah states clearly in this trailer is that HNY is more of a musical. The trailer is embedded with teasers of three songs. There is this chorus of “Radhe Radhe” from a song which may have more to do with dramatic introductions. The second one which has words like “I’m feeling all right…. Non-sense ki night” is a funny track. The last song called Indiawaale might be the last song in the film and the grandest in it.

I always laugh at Aamir Khan for his constant efforts to outdo SRK as a better promoter, not questioning his acting. There is no actor, director, producer or some outsourced dude who can beat Shah Rukh at marketing. This Khan got Yash Raj Films to buy the worldwide rights at 125cr. He sold the satellite rights at 65cr and music rights at 12cr. That’s a total of Rs.202cr before its release. For the first has a trailer been launched on Whatsapp before Youtube. He now has his worldwide Slam tour which will spin even more millions of rupees by the time HNY hits the screens. Damn! He might go more than a total of 500cr after the release.

You can love him or hate him, but you cannot ignore Shah Rukh Khan. I have a feeling that Farah Khan is going to go the most dramatic Bollywood has ever gone with the Badshaah giving some serious life lessons in some scenes. First day first show this Diwali to watch todenge taale Indiawaale!

Review: Scarlett Johansson’s Lucy is a sleek, crazy and extravagent sci-fi


We all fall for the seductive notion of some kind of superpower, especially if it’s just us in the world. That’s why it’s called superpower. Many writers have played and manipulated this idea with Transcendence and Limitless being the latest consequences. Luc Besson’s Lucy is a better culmination than atleast these two. The premise being that a human uses less than 10% of his brain.

Scarlett Johansson plays Lucy, a regular college girl with an obviously jerk boyfriend who forces her to deliver a briefcase having “documents”. Suddenly the jolly jerk is killed and Lucy is taken by a drug lord. The briefcase contains a blue drug which is the sci-fi element of the film. The drug is surgically inserted into her stomach and Lucy becomes the courier. But the ravenous minions molest her and beat her up. A recurrent of kicks on her stomach and the drug leaks into Lucy’s system, slating one of the most dramatic inceptions of superpower. Professor Norman (Morgan Freeman) is small parallel character. Norman is the best expert on the brain but his theories are a mere speculation since no human has used 20 or 30 or 50 or 100% of his brain. Lucy contacts him and confronts that his theories are right. She has 24 hours before her body becomes incapable of handling her.

Luc Besson had to keep the critics at bay before writing this one. He has knowingly not cared much about the ambiguous existing scientific theories about the brain. But he manages a perfect equilibrium between theories and entertainment, purposely compromising on scientific details. Lucy knows telekinesis. She can control humans, a dozen of them in a second. She doesn’t feel pain. She can still remember the taste of her mother’s milk, change her physical structure. She can eventually travel in time.

The 90 minutes film is paced fast and is high on adrenaline action. Nobody knows what we can do by using 100% of our brain. So it’s better to dump the contradicting scientific theories and enjoy this fun ride with the beautiful lady.